![]() ![]() I recorded straight off the harp, bypassing the Rhodes’ tone controls. I started with three velocity layers, but added a 4th between the mezzo and forte layers, from middle C down, because it really needed it. I didn’t use a key-thumper because the one I rigged up made too much noise, which came through on the recording (bam!). I sampled every 4th white key, starting with F1. Yet another little technical mystery to figure out. Not too bad, considering how quickly it went together. Here’s a short clip of me playing the results. It ain’t Scarbee! But I like the sound, and the results are better than I’d hoped with my dash-off methodology during sampling. Well, I did a quick knock off sampling of my 1977 Rhodes Mark I Stage piano, to check out methodology and learn the tools.ĭon’t expect pro-quality playability.
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